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Volume 5, Issue 1
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Key Resource for Radio Newsrooms
by Martha Sharan
The Internet is a key resource
for radio newsrooms across America. Usage is up to 100%,
according to a recent News Generation survey of 50 local
and network radio stations. That's a seven percent increase
over the last two years, and now that the Internet has
become an important tool of the newsroom trade, daily
usage is projected to increase as well. One third of
the stations in our survey expect to spend anywhere
from ten to 20% more time on the Internet over the next
two years.
Overwhelmingly, the sites most
frequently visited by both local and network stations
are newspaper sites. In fact, ninety percent of all
stations surveyed still regard their local newspaper
as the most credible, in-depth and valuable source of
local information. The second most vital source is 'the
competition,' considered to be all other radio and television
stations competing for a share of the audience in any
given market.
Sites that provide newsrooms with
unique story ideas also get a lot of traffic. More than
half of the stations surveyed use the Internet to search
for attention-grabbing and unusual stories. This is
where content-rich websites can distinguish themselves.
Three out of every four local stations indicate they
would visit a content-rich website daily, if it provides
local information, contains credible content and is
easy to navigate.
Without hesitation, radio reporters
and producers say accuracy and simplicity are the two
most important qualities of any website. They also tell
us, e-mail clutter is their worst enemy. Seventy five
percent do not want media sites bombarding them with
e-mail and 50% still prefer to be pitched by phone or
fax.
As technology improves, radio outlets,
both networks and local stations, are looking forward
to expanding their ability to reach Internet users.
Right now, nine out of 10 of the local stations we studied
and all the networks provide the 'top stories of the
day' on their websites. This gives Internet users round-the-clock
access to local and national news. Offering audible
newscasts will be the next primary challenge to radio
broadcasters and the next area of growth and opportunity
in radio news. Stay tuned as News Generation continues
to keep the pulse on radio station trends in coming
newsletters. And, visit www.radionewssource.com for a taste of our own content-rich station site.

Understanding the Medium: Radio
Tips & Insights
by Susan J. Matthews
Radio is often a misunderstood
and underutilized medium, yet it has powerful reach
and unparalleled impact on listeners. Lately, we have
taken this message to trade shows and publications based
on requests to better understand and utilize radio in
an efficient and worthwhile manner.
According to the National Association
of Broadcasters, radio reaches 77% of people over the
age of 12 everyday and people 12 and over listen to
the radio more than three hours each day. Further, radio
reaches more than 95% of consumers weekly, and there
are more than 600 million radios in use in the U.S.
, with the average household having 5.6 radio receivers.
There are more than 13,500 registered stations with
33 different format types and more than 250 networks
in the U.S. Radio is a mobile medium with a captive
audience, highly targetable reaching exactly the demographic
you want, and a great source of local and national news
for listeners.
Pretty powerful statistics, but
how can we tap into radio’s power to maximize a message?
What curious minds want to know
basically boils down to one of the five common questions
below.
1. How do I determine what radio
method is best for my message?
Take a good look at your content.
If the information presents itself clearly in a one
page release, an audio news release or a broadcast fax
is typically the best way to go. If the issue needs
a bit more explanation, setting up interviews will likely
be the most advantageous method for your message. Technology,
health and education issues that have many facets typically
warrant a discussion that can take place in a radio
media tour setting.
2. How do I know which stations
I pitch will use particular types of messages and in
what format they accept stories?
With the consolidation of the radio
industry, many stations share news and information which
has changed the dynamic of the radio newsroom. Before
going into a pitch for an interview, find out if the
station even does interviews. If they accept news from
a local and/or national network, your pitch may work
better at the network level.
3. How do I adapt a TV or print
message to a radio-friendly format?
With radio, you cannot rely on
pictures, captions and the printed word. One simple
way to test your pitch is to close your eyes, and recite
the story as you would like to hear it broadcast on
the radio. If you cannot formulate a vivid picture in
your mind, then you should consider a different medium
for your message. Some stories are not meant for radio,
so be mindful of that before you invest time and money
in something that may not produce anticipated results.
4. What does it take to have highly
skilled and trained people pitching radio and how do
I hire them?
Optimal candidates for pitching
radio are former radio reporters. They have an exact
idea of the perfect pitch in terms of content and timing.
And, they know what it is like to be on the other end
of the phone. Even with no radio experience, tenacious
and detailed pitchers can do an exceptional job. Radio,
as with pitching any medium, is not for the faint of
heart. Pitchers should have a thick skin and a tenacious
nature.
5. How do I capitalize on radio’s
immediacy in order to turn around a story quickly for
broadcast?
Have as much prepared in advance
of a story breaking as possible. Since production in
radio has fewer elements than television, radio can
be more responsive in a breaking news situation. And,
unlike print, you do not have to worry about a publication
or print time. With radio, the deadline is always as
soon as the information can get to stations. Many stories
are broken first on radio before reaching television
and print, so if a story has immediacy, radio should
be your first pitch. Also know that pitching stations
in the morning when newsrooms are fully-staffed typically
yields the greatest results.
Radio is an often misunderstood
medium because of the overwhelming number of outlets
and the ever-changing market. Tackling one market or
one demographic first in a few markets, can be a smart
way to get your feet wet before taking the plunge into
a large national release. To help target your pitch,
we have provided a list of formats, with full descriptions
and general target age groups, on page three of this
newsletter. Other station information can be found on this site.

Guide to Radio Station Formats
|
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Symbol |
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Format Name |
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Description |
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Demographics |
AC |
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Adult Contemporary |
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An adult-oriented pop/rock station with no hard
rock, often a greater emphasis on non-current
music |
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Women 25-54 |
AH |
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Hot AC or "Adult CHR" |
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A more up-tempo, contemporary hits format, with
no hard rock and no rap |
|
Adults 25-34 |
AP |
|
Adult Alternative |
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Eclectic rock, often with wide variations in
musical style |
|
Adults 25-44 |
AR |
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Album Rock |
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Mainstream rock & roll, can include guitar-oriented
"heavy metal" |
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Men 25-44 |
AS |
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Adult Standards |
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Standards and older, non-rock popular music from
the 1940s to the 1980s, often includes softer
current popular music |
|
Adults 35+ |
BG |
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Black Gospel |
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Current gospel songs and sermons |
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Adults 35+ |
CH |
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Contemporary Hit Radio (Top-4O) |
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Current popular music, often encompassing a variety
of rock styles, CH-R-B is dance CHR, CH-AR is
rock-based CHR and CH-NR is new rock or modern
rock based CHR |
|
Teens & Adults
20-24 |
CR |
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Classic Rock |
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Rock oriented oldies, often mixed with hit oldies
of the 1960s, 1970s and 1980s |
|
Men 25-44 |
CW |
|
Country |
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Country music, including contemporary and traditional
styles, CW-OL is country oldies |
|
Adults 25+ |
CZ |
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Classic Hits |
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A rock-based oldies format, focusing on the 1970s |
|
Adults 25-44 |
EZ |
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Easy Listening |
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Primarily instrumental cover versions of popular
songs with more uptempo varieties of this format
including soft rock originals, may be mixed with
"smooth jazz" or adult standards |
|
Adults 35+ |
ET |
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Ethnic |
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Programs primarily in languages other than English |
|
Variety of Ages |
FA |
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Fine Arts - Classical |
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Fine arts "classical" music often includes
opera, theater and/or culture-oriented news and
talk |
|
Adults 35+ |
FX |
|
Farm News and Talk |
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Farm news, weather and information |
|
Men 25+ |
JZ |
|
Jazz |
|
Mostly instrumental, often mixed with Soft AC,
includes both traditional jazz and "smooth
jazz" or "new AC" |
|
Adults 25+ |
MA |
|
Modern AC |
|
An adult-oriented modern rock format with less
heavy, guitar-oriented music than the younger
new rock |
|
Mostly Women
25-44 |
MT |
|
Financial Talk |
|
All financial or "money-talk" |
|
Adults 25+ |
NR |
|
New Rock - Modern Rock |
|
Current rock, mainstream "alternative"
and heavier guitar oriented hits |
|
Teens & Adults
20-35 |
NX |
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News |
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All-news, either local or network in origin,
stations may also have this description if a significant
block of time is devoted to news |
|
Adults 35+ |
OL |
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Oldies |
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Popular music, usually rock, with 80% or greater
non-current music, CW-OL indicates country oldies
and RB-OL indicates R & B oldies |
|
Adults 25-55 |
PT |
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Pre-teen |
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Music, drama or readings intended primarily for
a pre-teen audience |
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Children 12 & Under |
RB |
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R & B - Urban |
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Covers a wide range of musical styles, can also
be called "urban contemporary" |
|
Teens & Adult
20-24 |
RC |
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Religious - Contemporary |
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Modern and rock-based religious music |
|
All Ages |
RG |
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Religious - Gospel |
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Traditional religious music, BG indicates black-oriented
and SG indicates country-oriented "southern
gospel" |
|
Adults 25+ |
RL |
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Religion |
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Local or syndicated religious programming, sometimes
mixed with music |
|
Adults 20+ |
SA |
|
Soft Adult Contemporary |
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A cross between adult contemporary and easy listening,
primarily non-current, soft rock originals |
|
Mostly Women 25+ |
SB |
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Soft Urban Contemporary |
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Soft R & B sometimes mixed with smooth jazz,
often heavy in oldies |
|
Adults 35+ |
SG |
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Southern Gospel |
|
Country flavored gospel music, also includes
the "Christian country" or "positive
country" format |
|
Adults 25+ |
SS |
|
Spanish |
|
Spanish-language programming, often paired another
type of programming, equivalents of English formats
include: SS-EZ (easily listening); SS-CH (contemporary
hits); SS-AC ("modern" music); SS-NX-TK
(news-talk); SS-RA (ranchero music); SS-TP (salsa,
tropical); SS-TJ (tejano); SS-MX (regional Mexican);
or SS-VA (variety) |
|
All Ages |
SX |
|
Sports |
|
Listed only if all or a substantial block of
a broadcast day is devoted to play-by-play, sports
news, interviews, or telephone talk |
|
Men 25+ |
TK |
|
Talk |
|
Talk, either local or network in origin, can
be telephone-talk, interviews, information, or
a mix |
|
Adults 25+ |
VA |
|
Variety |
|
Incorporating four or more distinct formats,
either block-programmed or airing simultaneously |
|
All Ages |
The most up-to-date format
list is available on this site.

NOW with Bill Moyers Breaks Enron
News
by Lynn Harris Medcalf
Since the start of
the New Year, several key stories have dominated the
national news, with the word 'Enron' immediately springing
to mind as one of the top news stories in 2002 so far.
In February, the weekly PBS news series NOW with Bill
Moyers revealed information about Ken Lay's meetings
with Vice President Cheney that the White House had
yet to confirm. In an interview with a Frontline reporter
taped last May, Ken Lay, the former CEO of Enron, stated
that he indeed did give Vice President Cheney advice
regarding the government's new energy program. He also
said that he was unaware that he was the only CEO of
a major electric energy company to confer privately
with the Vice President as he formulated national energy
strategy. The interview was featured on NOW with Bill
Moyers on February 1, 2002.
Working with the series'
publicity team at Kelly & Salerno Communications, News
Generation distributed an audio news release featuring
Ken Lay sound bites to national radio networks and stations
in the top-15 media markets on Thursday, January 31,
2002. The story received a 56% usage rate, garnering
more than 28 million gross impressions. The release
was the lead story on National Public Radio's Morning
Edition and was featured in drive-time newscasts on
Associated Press Broadcast, Metro Source, USA Radio
Network, ABC News, Bloomberg Radio, CNN Radio, Radio
America, WOR Network, and Pacifica Network News.
Without publication
deadlines, an obstacle for print, or visual images needed
for television, radio can be your best ally for getting
information to the public quickly and effectively. In
fact, more than 20% of stations used the information
the same afternoon we pitched the story. This case study
shows that one of radio's greatest strengths is its
immediacy, with the responsiveness needed to record
audio quickly and turn a story around to radio stations
in a breaking news situation. So next time news breaks,
think radio!

Tuning In newsletter is produced and distibuted bi-annually. The goal of the newsletter is to educate clients on radio trends and industry tips, as well as highlight case studies and release survey information.
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